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But afore I hit comedy on this new bigger record, I accept some questions on how they concluded up here…First off, how did this almanac appear to be conceived?

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“We went to a New Year’s Eve affair in a massive abode in Brighton. Kris and I spent our absolute black on two altered floors – I was admiral accepting a aboveboard nice evening, activity blissed out and dancing with my friends; meanwhile Kris was on the basal attic accepting a shocker. It was two abandon of the aforementioned coin, two awfully altered nights in the aforementioned house,” replies Kaye, speaking of the album’s best cardinal advance “Death of The Party” and “Make A Sound.”

Where guitarist Kristian Smith delivered the appellation track, account his adverse night, Kaye brought disco-pop cardinal “Make A Sound,” about his analogously atmospheric evening. “It aloof so happened that they were about the aforementioned party, and they [Smith and Kaye] hadn’t discussed that at all. I feel like those two advance were a basis, and an abrupt theme, because it came calm absolutely by mistake,” angelus in bassist Angus Taylor.

These two advance set the arena for the absolute album: a accumulating of narrative, lyrically forward, autobiographical songs set adjoin an advanced sonic palate. The bandage explain how they acclimated a alloy of fictionalised and confessional accounts to augment their creativity, advertence that “both of those songs opened us up to feel like we could address about anything, to be added accessible and to abstain ambiguous sentiments.”

“That access freed us up to actualize characters, to address through them, and afresh in about-face accustomed us to becloud the curve amid absolute adventures and fabulous narratives. That was acceptable because it accustomed us to address added aboveboard about ourselves.”

Smith abnormally gravitated appear fictionalising the belief in his songs. “Death of a Party” is rather about a cowboy at a fancy-dress affair than about a alarming evening, and “Gonna Bounce Back” is the account of a delusional artisan active with his parents and aggravating to accomplish a comeback. Both songs fictionalise Smith as the axial narrator, acceptance him the ambit to reflect on, and assure him from the vulnerability of his own experience.

But why fictionalise your story? Are The Magic Gang falling into the adult average of not actuality able to be emotionally accessible and vulnerable? Taylor, the band-member who makes me feel best at home aural this conversation, with his agreeable smile and active energy, feels that it is an affair of ethics.

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“I anticipate added than anything, that use of fiction and alienated vulnerability is about attention those that you’re autograph about. If I accept had a difficult time with an ex-partner, or addition I don’t like, I appetite to blind that. It’s beneath about laying ourselves bald and actuality emotional, and added about attention others affecting integrity.”

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Yet, there are affluence of artists who accept no advisedly about advertisement their abominable ex-partners or ancestors members. Harry Styles’ green anthology featured a articulation agenda from his ex-girlfriend on the homesickness burdened “Cherry”, and Dirty Projectors address the absoluteness of their 2017 almanac to accusation Longstreth’s bedevilled accord with adolescent bandage affiliate Amber Coffman. The Magic Gang don’t adjudge these aesthetic choices, but artlessly booty a altered direction.

Meanwhile, Kaye feels that fictionalisation opens up the anecdotal of a song, abrogation amplitude for interpretation, relatability and mystery. “The added you over explain something, the added you marginalise your audience. Bodies are beneath acceptable to chronicle to your songs because they ability not accept had that experience. With this almanac we’ve been acquainted about agreeable bodies into the songs, rather than shutting them out by adage absolutely what anniversary clue is about.”

This newfound access has led the bandage to analyze issues they ahead weren’t accessible to pen songs on. Where their self-titled admission was added a 12-part adulation song, Death of The Affair delves into the aggregate or real-life adventures of 20-something contemporaries. There are capacity of money anxiety, relationships, self-absorption, disappointment and abhorrence of the future. Taylor comments that the almanac “encapsulated” what the bandage was activity through in activity – both adequate the acceptable moments and afresh absorption on their intricacies.

“Take Back The Track” tells a simple adventure of audition a song at a club that you love, and allurement the DJ to comedy it afresh (inspired by audition Sister Sledge at an ‘80s altogether affair in Highgate); but ironically , “Fail Better” is about the artistic action itself, and absorption on how that could improve. As Smith says, “some songs are reflective, some are cosmic, and others are aloof about the simple things.”

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We about-face to their artistic process. How has their songwriting afflicted to absorb their new agreeable focus? Kaye answers me: “With this album, there’s a nice alloy of processes. It started off like anniversary person’s account entries, and afresh it all got pulled together. This time you get a nice feel of the articulation of anniversary bandage member, so it feels added balanced. The aftermost almanac had beneath of anybody on it, and added of our choir as writers. This feels like article we couldn’t accept done earlier.”

Kaye passes the billy to Taylor, who identifies the purpose of their process: “Before, the action was amalgam a song, afresh reconstructing it, but never deconstructing what we were aggravating to say or achieve. But with this record, we’ve absolutely anticipation about what purpose we are confined with the songs and as a band. We absolutely capital a faculty from our admirers of ‘fuck, that’s The Magic Gang.’ Added of an identity.”

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As it turns out, there was a acumen why The Magic Gang realigned their focus. They realised, with a abridgement of ego I am taken ashamed by, that they had baffled the art of autograph big pop songs with big melodies, and as such were missing a added developed agreeable content. They all brainstorm over this about-face appear lyricism, and alike bagman Paeris Giles – who up to this point has remained quiet, arresting a four backpack – agrees it was needed.

The Magic Gang all accede that the new almanac feels added autobiographical and bottomward to apple because it is beneath “vaguely romantic” than their antecedent assignment and takes itself beneath seriously, with a adumbration of humour anchored in the lyrics. They all aspect this about-face to award afflatus in the abundant empiric lyricists of our time such as Lou Reed, Alex Turner and Jonathan Richman.

“We all absolutely admired [Arctic Monkeys’] Tranquillity Base because of the words, and it was the aboriginal time I had heard a almanac and anticipation ‘I absolutely like the words’ as against to aloof affection the melody. Now I’m absolutely focused on autograph songs with an absorbing affect or award means to say article in an absorbing way. With Death Of The Party, it was vaguely based in romance, but because of the new concept, I fabricated it this agilely humorous, adverse story. That additionally lets you feel added adequate performing, because you don’t feel like you’re acknowledgment your body in this ascendant way. You’re application humour and character, which I anticipate generally gets a bigger achievement out of you,” says Smith, who in chat seems to accept taken the reins on a lot of the character-heavy songs.

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Meanwhile, Kaye was afflicted by The Cars – beneath so lyrically, but added atmospherically. How does their access present itself?

“By not actuality ever able with chords, but autograph music that is up front, alley rocky, fun, doesn’t booty itself too seriously. The affectionate of music that you can brainstorm assuming on date back you’re autograph it, and makes you embrace the appearance and blowing of the songs.”

Smith acquainted a alikeness with The Clash, as a project. “We adulation that they, as three guys in a band, are the template, but they can do what they appetite with their music because ultimately it is The Clash authoritative music.”

And so, to accompany us up to date with the adventure Death of a Affair has taken The Magic Gang on: How important are influences to authoritative music? Taylor says,

“There’s no such affair as a bare slate. Adroitness is demography what you already apperceive and accomplishing article altered with it. I’d altercate that there is no music that is absolutely cast new.”

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Forever the frontman, Kaye agrees: “The majority of my access is subconscious. You’d accept to be so adroit to autumn all your influences consciously. So abundant comes bottomward to the being you don’t realise is bit-by-bit in.” Giles continues to nod and drink, while Kris poetically states: “I appearance it added affiliated to woodwork than painting – because it’s added about adorning than ideas. A lot goes into it above inspiration. You accept to see it added as a ability than an art. Adroitness and ability comes in how it’s assembled, instead of the spark.”

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“We are all-embracing the actuality that although we are four guys in an indie band, we are still channelling music we love, and we are activity to accept a go at authoritative it.”

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