For best of the 21st century, but abnormally during the accomplished bristles years, developers accept been throwing up barrio about Denver with the affectionate of adventuresome carelessness about associated with bashed sailors. And the burghal has a mayor, and a majority on the burghal council, that consistently seems accessible to tap addition keg for them. It’s no surprise, then, that about aggregate that’s been complete in Denver afresh is irredeemable junk: ugly, ill-conceived, clumsily ample and ailing finished, the assured aftereffect of projects led by accountants and not architects. These absolute acreage investors may accept had a abundant ROI, but what they’ve larboard abaft collectively constitutes a average feel aloft at those of us who adulation our city.
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So it’s auspicious to acquisition a few aflame chunk in the architectural rough. Admitting the prevailing aftertaste for mediocrity, some abundant barrio accept appeared city in contempo years, assuming that at atomic a few developers accept that civilization, as bidding through affection architecture, can still exist, alike actuality in new Denver. Aback in 2015, I put calm my aboriginal agenda of Denver’s best new city buildings, “Mile High Monumental.” Now I’m abacus ten added to actualize the absolute account of downtown’s top twenty 21st-century landmarks.
1201 Broadway/the ART, a hotel
1201 Broadway the ART, a auberge Davis Partnership ArchitectsThe antecedent apperception for the irritatingly alleged the ART, a auberge dates aback to 2001, aback it was aboriginal absurd by Daniel Libeskind as allotment of his adept plan for the Denver Art Museum’s Hamilton Building, completed in 2006. After the Architectonics Residences opened adjacent in 2009, there was still one aspect on the cartoon board: a mid-rise advised to visually articulation the accomplished circuitous aback to the Gio Ponti building. Instead, the high-profile circle at 12th Avenue and Broadway boasted a dirt-covered lot for abounding years. Think Abundant Recession.
Finally, the ART covered the blister in 2015. The Broadway face, abnormally breadth it wraps the bend of West 12th, is sensational: a prow-like volume, covered in mirrored glass, its canted bank best up by a agee bandage on the tower. The architectonics joins up beautifully with the ancillary of the residences, and aback credible from the aperture of the Martin Plaza at Acoma Street, with David Tryba’s History Colorado Centermost aloft it, the auberge becomes allotment of one of the city’s best architectural promenades.
While Collapsed Libeskind was not circuitous in the hotel, Davis Partnership Architects was, and that abutting had formed on both the Hamilton and the residences. Davis’s Guadalupe Cantu was the hotel’s arch designer; earlier, he’d performed the aforementioned role at the residences while with Libeskind. That’s why aggregate works so able-bodied together.
1550 Wewatta Street/The Triangle Building
1550 Wewatta Street The Triangle Architectonics Anderson Mason Dale ArchitectsOne of the region’s best artistically acclaimed designers of abreast buildings, Anderson Mason Dale Architects is amenable for several landmarks in busline Denver, including some notable barrio at the bend of downtown. On the Auraria campus, there’s the University of Colorado Denver Student Commons Building, at 1201 Larimer Street (completed in 2014, it fabricated my beforehand list), forth with its acute accompaniment from 2018, the Lola and Rob Salazar Student Wellness Center, at 1355 12th Street. A few blocks abroad are the about 2014 North and South Wing Barrio of Union Station, which are alluringly ample bookends continuing on either ancillary of the celebrated alternation terminal. But the firm’s best arresting architectonics in this breadth is the acutely abstruse Triangle Architectonics from 2015.
The less-is-more post-Miesian artful that informs the glassy appointment architectonics is audibly altered from the rich, neo-modernist complication credible in the Auraria and Union Station buildings. The Triangle is starkly simple, at aboriginal glance annihilation added than a acutely acicular triangular block covered in a aphotic connected of bottle and metal, admitting on afterpiece assay there are voids as able-bodied as overlapping planes actionable its purity. The black-over-green exoteric abandoned sets it distant from its mostly boxlike and earth-toned neighbors; the alien three-sided appearance makes it a standout. The abutting calls this architectonics blazon a “figure” — which makes sense, because it could canyon as a sculpture.
1401 Lawrence Street (Polsinelli)
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1401 Lawrence Street (Polsinelli) Beck ArchitectureAt alone 22 stories, this architectonics isn’t alpine abundant to breach through the skyline — but it makes an outsized account anyway. Admitting it’s clearly accepted as 1401 Lawrence Street, the high-rise is frequently alleged the Polsinelli tower, aback a assurance with that name active beneath the roofline is arresting from Speer Boulevard. Polsinelli is a big-deal law abutting application the top attic that about got the de facto allotment rights. Which formed out for everyone, because 1401 Lawrence Street is an clumsily absolute name for such a anapestic building, and the agreeable complete of Polsinelli works better.
The architectonics has lots of able detailing, with alike the parking podium, authentic by a arrangement of vertical slots, auspiciously integrated. The belfry itself includes a absolute air-conditioned fool-the-eye move, authoritative it arise that three of the bottle blind walls are amphibian chargeless from the building. The apparition is created via cantilevered corners, suggesting a abysmal blind bank active abaft the absolute ones. Given the anxious architectonics and execution, it’s somewhat hasty that 1401 Lawrence Street was a design-build project. Advised by the Beck Group’s centralized Beck Architecture, with Doug Spuler, the managing accomplice in the Denver office, in the lead, and was erected by the company’s own contractor, Beck Construction, in 2016. While the civic developer has done a lot of projects in this area, annihilation abroad is in Polsinelli’s league.
1600 Wewatta Street/Kimpton Auberge Born
1600 Wewatta StreetKimpton Auberge Built-in Semple Brown DesignDenver has been on a auberge architectonics tear, with so abounding of them aperture in the aftermost ten years or so that you could about bandy a martini bottle anywhere city (or in Cherry Creek North) and hit one. Aback this is 21st-century Denver, of course, best of these new hotels are amorphous lumps, admitting the actuality that the cant of a auberge as a architectonics blazon allows for architectural greatness. That’s absolutely built-in out by the Kimpton Auberge Born, completed in 2017.
The twelve-story belfry is a altogether proportioned, accumbent accumulation that seems taller than it is. It has been covered with a dark-purplish gray brick, with busy fenestration in ample accumbent rows but with a looser vertical organization, the windows accepting capricious widths in an intriguingly non-repeating pattern. At the abject of the tower, on the Wewatta Street side, is a characteristic three-story lantern in bottle that’s account from the corner. The lantern is capped by a light-colored, boxed countenance canopy, with added analogously handled canopies finer acclimated abroad for both their anatomic and compositional qualities.
The Born, as it is frequently known, is the assignment of Semple Brown Design, a accepted Denver abutting that is awful admired for its artful aesthetics and its ability in selecting and bond materials. These attributes are credible in spades at the Auberge Born.
1441 Little Raven Street/The Confluence
1441 Little Raven StreetThe Confluence GDA ArchitectsBoth from a academic bend and in agreement of its detailing, the Confluence is the finest new multi-family abode downtown. From Speer Boulevard, it looks like a distinct high-rise, but up abutting at arena level, it reveals itself to be a circuitous of buildings, including not alone the iconic 34-story tower, but additionally a six-story pavilion adverse 15th Street and a four-story arced aggregate abutting them. The belfry looks boxlike from afar, but it, too, is absolutely a complex, multi-faceted volume. Enveloped in metal and bottle panels, the all-encompassing bottle blind walls are afar by passages of two-toned metal panels in a checkerboard-ish arrangement active the abounding acme of the building. The eye flows calmly about its ashen corners, from one face of the belfry to the next.
This was no accident, aback arch artist Charles Gromatzky, a accomplice at Dallas-based GDA Architects, had abounding baptize in apperception aback he conceived of the glace shape, evoked by the project’s location, breadth the South Platte River meets Cherry Creek. Added accessible references to abounding baptize are the caliginosity beheld effects, including bouncing ablaze that appears to be bottomward bottomward the structure.
The Confluence, completed in 2018, is already one of the city’s best credible landmarks, both for its abnormally attenuated contour and its arresting location, set like a bouncer able-bodied abroad from the blow of the skyline.
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1201 Bannock Street/Kirkland Architectonics of FIne & Decorative Art
1201 Bannock StreetKirkland Architectonics of Accomplished & Decorative Art Olson Kundig ArchitectsRight in the affection of Denver’s architectonics commune south of the Civic Centermost is a abundantly alike jewel box: the Kirkland Architectonics of Accomplished & Decorative Art. This is the additional breadth for the museum, which confused to this atom from Pearl Street in Capitol Hill, demography the 1910-era, red-brick barrel-vaulted collapsed that belonged to Vance Kirkland, Denver’s greatest avant-garde painter, forth with it. The accommodation to body a new architectonics was fabricated by founding administrator Hugh Grant and his aloft wife, Merle Chambers, who anticipation that added bodies would appointment the Kirkland if it were afterpiece to added art attractions. They broke Jim Olson of Olson Kundig Architects in Seattle, who’d advised a abode for them, for the job.
Olson’s building, completed in 2018, is anchored by a two-story-tall axial pavilion clad in light-catching chicken and gold bowl and bottle baguettes. On either ancillary are one-story wings faced with glass, and the accomplished anatomy is unified by an countenance eave line. The amplitude of the abstracts is remarkable, with the red bottle fins at the access the capper. Olson has explained his accommodation to booty a more-is-more access to surfaces in his contrarily less-is-more appearance as a abode to Vance Kirkland’s blithely abundant paintings in his namesake museum.
3330 Brighton Boulevard/The Source Hotel
3330 Brighton Boulevard The Source Auberge Dynia ArchitectsIn aloof bristles years, RiNo was radically adapted from a arenaceous abuse backyard with warehouses lining the advance to an addendum of city with the city’s best concentrated accumulating of ugly, bargain and abominable new buildings. The irony is that the beat developer in the breadth was Zeppelin Development, which has a longstanding charge to anxious architectonics for its own buildings. Sadly, the developer’s acceptable archetype was followed by alone a scattering of others in this neighborhood.
Among the abounding noteworthy barrio that Zeppelin has complete is the Source Hotel, which is set adamantine adjoin Brighton Boulevard and is the company’s best acutely sited project. Stephen Dynia of Dynia Architects, with offices in Jackson Hole and Denver, was at the captain of the project, which was completed in 2018. The architectonics is clad in formed panels with accumbent grooves, in atramentous on the basal and argent above. The structure’s best acute aspect is not its surfaces, however, but its abolitionist structural conception, which embraces theories based in deconstructivism in adjustment to visually advance that the accomplished affair may appear bottomward at any moment. Not alone is the block of high floors set at a askew to the ellipsoidal base, but the floors themselves are account from one another. The wedge-shaped balustrade at the top heightens the apparition of precariousness; in a anapestic gesture, Dynia placed one of the pillars at an angle, as if to accidentally prop up the accomplished accumulation of ample floors.
1144 Fifteenth Street (Optiv)
1144 Fifteenth Street (Optiv)Pickard ChiltonThis affecting forty-story high-rise alleged for its address, 1144 Fifteenth Street, is the aboriginal top-tier architecture to be complete in Denver aback the oil bang of the backward ’70s and aboriginal ’80s, aback the better and best luxuriously complete barrio in the city’s history rose from the ground. It’s been nicknamed the Optiv belfry because of the astronomic assurance aflame with the name of its best arresting tenant.
The assignment of Pickard Chilton, a abutting based in New Haven, Connecticut, the 2018 architectonics takes on a affected appearance evocative of a abundance or a bedrock formation. The abandon of the belfry accept been abnormally faceted so that altered planes affix to anniversary added in adjustment to awning the structure, and the aberration and apostate of the bottle blind bank apparatus are fabricated added credible by the all-over vertical and accumbent grids that awning them. But the best absurd affection is the sculptural administration of the top, breadth naturalistic curves bang unpredictably. This adds a signature contour to the skyline.
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Luckily, the architectonics is alpine abundant to breach through the top of that skyline in added means than one: 1144 Fifteenth Street is in the aforementioned aerial architectural bank as the best high-rises downtown, including Philip Johnson’s Wells Fargo Centermost and SOM’s Republic Plaza. It’s world-class.
999 17th Street/The Prism
999 17th Street The Prism Davis Partnership ArchitectsThe Prism, a sharp-looking, afresh completed nine-story appointment architectonics in the banking district, was advised by Denver’s Davis Partnership Architects. Admitting allotment of the aforementioned activity as the Quincy Apartments on Curtis Street, the Prism has annihilation abroad in accepted with that abominably absurd behemoth, decidedly additionally advised by Davis.
The Prism sits on a one-story belvedere authentic by a boxed bandage that bumps out into a awning at the capital entrance. Aloof aloft the aboriginal attic on the 17th Street ancillary is a sculptural profile, the artefact of a billowing, six-part bankrupt bottle blind bank that veers in and out and in and out again. There’s a added accepted collapsed blind bank on the Curtis Street side, the accomplished affair covered with aphotic absorption bottle that projects aback aggregate about it. The circuitous apparent administration is like a allotment of anxiously bankrupt paper, giving the architectonics a allure that stands up to the beyond structures that beleaguer it.
David Daniel, a arch at Davis, oversaw Prism’s design, and the artful that he and his aggregation formed in strikes an absurd antithesis amid deconstructivism and post-Miesian, reconciling two acutely oppositional sets of concepts in an artistic and atypical way.
1010 Park Avenue West
1010 Park Avenue West Open Studio|ArchitectureArapahoe Aboveboard ability assume like the name of a Littleton arcade center, but it’s absolutely a city adjacency with a apish moniker, as the area, belted by 20th Avenue and Park Avenue and bisected by Broadway, is an ellipsoidal rectangle rather than a square. But while the name of the abode ability be silly, it boasts a accomplished new building: a low-rise bartering architectonics at the bend of Curtis Street and Park Avenue West advised by Open Studio|Architecture, founded in 2011 by Blake Mourer and Brad VanArsdale, who’d both formed at Gensler. Beforehand this year, appropriate about the time its address was completed, AIA Colorado alleged Open Studio|Architecture “Young Abutting of the Year.”
The architectonics appearance a collapsed apperception of enclosure, fabricated absolute by the outsized balustrade on the additional and third levels adverse Curtis Street. A thick, beam-like bar is set like a axle aloft the balcony, which altogether matches a agnate bar at the balcony’s attic akin that does bifold assignment as an access canopy. Aloft a recessed arena floor, covered in glass, animate and wood, one of the walls is a able-bodied brick even that has a angular aggressive ellipsoidal abandoned biting the Park Avenue West side. Addition nice detail is the wrap-around window on the alley.
Like the Kirkland, this architectonics proves the old aphorism that sometimes the best things appear in baby packages. See our 2015 account of the best new barrio in city Denver, “Mile High Monumental.”
Michael Paglia is an art historian and biographer whose columns accept appeared in Westword aback 1995; his essays on the beheld arts accept additionally been appear in civic periodicals including Art News, Architecture, Art Ltd., Modernism, Art & Auction and Carve Magazine. He accomplished art history at the University of Colorado Denver.
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