Lawrence Calcagno, ‘Untitled,’ 1988, oil on canvas, 48 x 54 inAnita Shapolsky Gallery
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CA → NY: Post-War Clearing of Abstruse Expressionists
ERNEST BRIGGS, LAWRENCE CALCAGNO, JOHN HULTBERG, RICHARDS RUBEN, JON SCHUELER and HERMAN CHERRY
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September 11 – November 22, 2019
Opening Reception: Wednesday, September 11, 6 – 8pm
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Anita Shapolsky Gallery is admiring to present CA → NY: Post-War Clearing of Abstruse Expressionists, a accumulation exhibition of baddest Bay Area and Los Angeles artists who followed the billow of Abstruse Expressionists beyond the country in the 1950s to participate in the blooming sister movement: the New York Academy of Abstruse Expressionism.
The Bay Area Academy of Abstruse Expressionism was centered about the California Academy of Fine Arts (CSFA) in San Francisco and its director, Douglas MacAgy. MacAgy was assassin in 1945 in an accomplishment to abate and improve the overly- acceptable program. He began by hiring a deluge of adolescent artists, including Richard Diebenkorn, Stanley Hayter, and Clyfford Still, who, while abundantly amateur in teaching, were about alive in educating a beachcomber of second- bearing Abstruse Expressionists. Like abounding of the acceptance at the CSFA, Ernest Briggs, Lawrence Calcagno, John Hultberg, and Jon Schueler acclimated their abetment from the GI Bill to accept in the affairs anon afterwards their acknowledgment from account in World War II. Their aggregate adventures in the war, forth with their accurateness in age, accustomed the advisers and acceptance to anatomy a strong, supportive, and generally collaborative atmosphere.
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While the CSFA able its own different academy of abstruse art, it additionally apparent its acceptance to New York abstruse artists like Mark Rothko and Ad Reinhardt through summer sessions from 1947 to 1949. Hultberg begin Rothko’s bedfellow lectures about the New York art arena acceptable and he absitively to abide his convenance on the East Coast. Briggs, Calcagno, and Schueler followed clothing in the aboriginal 1950s, a clearing catalyzed both by Still’s accommodation to move to New York and additionally by the battlefront of MacAgy. LA-based abstruse artists Richards Ruben and Herman Cherry would accompany the clearing by the 1960s.
The exhibition CA → NY: Post-War Clearing of Abstruse Expressionists attempts to visually authenticate the barter of account that occurred amid both the Bay Area and New York Schools of Abstruse Expressionism. While the two schools aggregate a acceptance in the alive action of painting to accurate one’s centermost thoughts and feelings, the New York artists were added heavily afflicted by trends in European art. The Californian artists in this exhibition created a appearance that was absolutely American, generally abiding in accustomed forms rather than burghal landscapes.
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Gallery Hours: Tues – Fri, 11:00am – 6:00pm
Saturdays by appointment
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MANHATTAN BEACH, Calif. — Perched aloft Paul Rabil’s bed are a brace of knockoff Jackson Pollock paintings. A hodgepodge of blooming and dejected and red dominates one canvas, atramentous and chicken beat another. They’re inexplicable. Pollock was accepted for spearheading the abstruse announcement movement in art. Rabil, who corrective the pieces with his mother, ...
Many of the artists are acquisitive to claiming the “presumed neutrality of abstruse white macho art,” said Mohr, who’s presenting the affairs with the Merce Cunningham Trust, ODC Theater and SFMOMA’s Open Space. “So they’re exploring how their identities bang with these methods.” The organizers approved to breed a “sense of permission to ask ...