9 Stereotypes About Non Figurative Art Facts That Aren’t Always True | Non Figurative Art Facts

Each week, we chase New York Burghal for the best agitative and absorbing shows, screenings, and events. See them below. 

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non figurative art history – non figurative art facts | non figurative art facts

Elle Perez, Arroz con pollo asado, plantano maduros y yuca (2019). Address of the artisan and 47 Canal, New York.

1. “Elle Pérez: from sun to sun” from the Public Art Fund 

Over the abutting few months, during the apathy of your circadian commute, you may acquisition yourself gazing aloft the larger-than-life photographs of New York-based artisan Elle Pérez. “from sun to sun,” the latest citywide exhibition from the Public Art Fund, is bringing the photographer’s latest alternation to 100 of the city’s bus shelters broadcast through 13 neighborhoods. As the exhibition appellation ability suggest, these images (16 audible photographs, anniversary again six to seven times) accomplish a faculty of accent and the access of time as Perez has captured affectionate vignettes of the city’s people, politics, and accurate nuances (a able in the sidewalk, a coil of bicycles). Curated by Katerina Stathopoulou, the exhibition is a brainwork on the capacity that compose the forever-moving activity of the city, and those moments (like a the bus shelter), area we pause.

Location: 100 bus shelters in 13 neighborhoods throughout the cityPrice: FreeTime: 24 hours a day 

—Katie White 

Out of Line: Blood Fountain by A.R.M. Image address of the High Line.

2. “Out of Line: Blood Fountain by A.R.M.” at the High Line

Blood Fountain, the latest in the High Line’s now four-year-old “Out of Line” achievement art series, is a performative HIV/AIDS canonizing from A.R.M., a collaborative accomplishment from artists Alexandro Segade, Robert Acklen, and Malik Gaines. Costumed in a mix of amulet gear, sports equipment, and medical supplies, the casting will accomplish pop songs that accept been rewritten to advertence anomalous history and the advancing AIDS crisis.

Location: High Line, West 30th Street and Tenth AvenuePrice: Free with RSVPTime: 8 p.m.

—Sarah Cascone

Installation appearance of “You Can’t Win: Jack Black’s America” at the Fortnight Institute. Photo address of the Fortnight Institute.

3. “Luc Sante and Randy Kennedy in Conversation” at the Fortnight Institute

Former New York Times art announcer Randy Kennedy, now Hauser and Wirth’s administrator of appropriate projects, has curated “You Can’t Win: Jack Black’s America,” a accumulation appearance on appearance at the Fortnight Institute through August 18. On Thursday, he’ll allege with Luc Sante, columnist of Low Life: Lures and Snares of Old New York, who loaned genitalia of his best folk postcard accumulating to the exhibition.

Location: The Fortnight Institute, 60 East 4th StreetPrice: FreeTime: 6 p.m.

—Sarah Cascone

“Tony Morrison: The Pieces I Am,” address of Magnolia Pictures & Magnet Releasing.

4. “Toni Morrison: The Pieces I Am” blur screening at the Brooklyn Museum

In the deathwatch of Nobel Prize-winner Toni Morrison’s afterlife aftermost anniversary at age 88, the Brooklyn Building is screening a documentary exploring her activity and legacy. Directed by Timothy Greenfield-Sanders, art and history are intertwined in this ode to a allegorical writer.

Location: Brooklyn Museum, 200 Eastern ParkwayPrice: Free with RSVPTime: 7 p.m.–9 p.m.

—Caroline Goldstein

Cocktails at Cooper Hewitt in the Arthur Ross Terrace and Garden. Address of the Cooper Hewitt, Smithsonian Architecture Museum.

5. “Cocktails at the Cooper Hewitt: Dylan Dunlap With DJ Jennifly” at the Cooper Hewitt, Smithsonian Architecture Museum

As summer apprehension down, it’s the aftermost alfresco concert of the division at the Cooper Hewitt, featuring a alive achievement by singer-songwriter Dylan Dunlap and a set from DJ Jennifly, both in the museum’s admirable garden. Cocktails and ablaze bites will be accessible for acquirement at Tarallucci e Vino Cafe.

Location: Cooper Hewitt, Smithsonian Architecture Museum, Arthur Ross Terrace and Garden, access at East 90th Street amid Madison and Fifth AvenuesPrice: $14 beforehand tickets, $16 at the doorTime: 6 p.m.–9 p.m.

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—Sarah Cascone

Mort Gerberg’s burlesque of himself arena the piano. Address of Mort Gerberg.

6. “Cole Porter Piano Series: Artisan Mort Gerberg” at the New-York Actual Society

If you missed New Yorker artisan Mort Gerberg’s appearance at the actual association beforehand this spring, you can bolt him tickling the ivories at the building this Friday. Gerberg will comedy selections from the Abundant American Songbook on the museum’s afresh adequate 1907 Steinway piano that already belonged to acclaimed artisan Cole Porter. Get there aboriginal during the museum’s Friday night pay-what-you-wish hours to ensure a seat, and break backward to accept the artisan assurance a archetype of his book Mort Gerberg on the Scene.

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Location: New-York Actual Society, 170 Central Park West at Richard Gilder Way (West 77th Street), Smith GalleryPrice: Free, but bound to 40 guestsTime: Performance 6:30 p.m.–7:30 p.m.; book signing in building allowance boutique to follow

—Sarah Cascone

7. “Clapping With Stones: Art and Acts of Resistance” at the Rubin Building of Art

This exhibition focuses on non-conformity and attrition through the lens of 10 abreast artists who analyze a advanced ambit of civic and political capacity while authoritative an advancing alarm to action. Acceptance is chargeless on Friday black and guests can ball to music by DJ Tasha Blank, apprehend comments from bedfellow babysitter Sara Raza, and acknowledgment to the new exhibition with blessed hour in the K2 Lounge.

Location: Rubin Building of Art 150 West 17th Street, New YorkPrice: Adults, $19; seniors, students, and visitors with disabilities, $14; associates and accouchement 12 and under, freeTime: Opening accession Friday 6 p.m.–11 p.m.; Monday & Thursday, 11 a.m.–5 p.m.; Wednesda,y 11 a.m.–9 p.m.; Friday, 11 a.m.–10 p.m; Saturday & Sunday, 11 a.m.–6 p.m.

—Eileen Kinsella

Austin Furtak-Cole and Carlo D’Anselmi, Address of ROOM.

8. “Carlo D’Anselmi and Austin Furtak-Cole: Arrhythmia” at ROOM

Brooklyn-based artists Carlo D’Anselmi and Austin Furtak-Cole will appearance their paintings at Greenpoint’s ROOM this Friday. Fellow Stony Brook University alum Furtak-Cole paints in a part-abstract and part-figurative style; anatomy genitalia float on the canvas, creating Lynchian still-lifes. D’Anselmi’s phosphorescent, amphibian scenes are the absolute accolade to summer.

Location: 824 Manhattan Avenue #3R, BrooklynPrice: FreeTime: Opening reception, 7 p.m.–9 p.m.; examination hours by appointment

—Cristina Cruz

Deborah Brown, The Return of Ulysses (2019). Address of Danese/Corey.

9. “In the Summertime” at Danese/Corey 

“When the weather’s fine/We go fishin’ or go swimmin’ in the sea/We’re consistently happy/Life’s for livin’ yeah, that’s our philosophy,” goes the arbitrary 1970s hit “In the Summertime” by Mungo Jerry. Whether this 11-artist exhibition of the aforementioned name is a absolute advertence to the tune or aloof a coincidence, the appearance analogously espouses the affect that summer is the division for adequate life. This sleeper exhibition of allegorical paintings delights with scenes of swimming, backyard games, moment of abstracted repose. A haptic bender (of baptize on the body, sunlight on skin) permeates throughout, abnormally in the works of Dominic Musa and Grace Metzler, while Deborah Brown’s images of nude women traipsing through attributes accept a allegorical nymph-like insouciance.

Location: Danese/Corey, 511 West 22nd StreetPrice: FreeTime: Monday–Friday, 10 a.m-6 p.m.

—Katie White

Installation appearance of “Harald Szeemann | Grandfather: A Pioneer Like Us” at the Swiss Institute. Photo address of the Swiss Institute.

10. “Harald Szeemann | Grandfather: A Pioneer Like Us” at the Swiss Institute 

In 1974, the babysitter Harald Szeemann, who died in 2005, staged a appearance in his accommodation in Bern, Switzerland, about the activity and assignment of his grandfather, hairstylist and artisan Étienne Szeemann. Acknowledgment to a accommodation of about 1,200 altar from the Getty Research Institute’s Harald Szeemann Archive and Library and clandestine collections, the Swiss Institute has restaged the show, creating a atmospheric facsimile of Szeemann’s active abode as they appeared during the exhibition.

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Location: The Swiss Institute, 38 St. Marks PlacePrice: FreeTime: Wednesday–Friday, 2 p.m.–8 p.m.; Saturday,12 p.m.–8 p.m.; Sunday, 12 p.m.–6 p.m.

—Sarah Cascone

Installation appearance of “Too Fast to Live, Too Young to Die” at the Building of Art and Design. Photo by Jenna Bascom.

11. “Too Fast to Live, Too Young to Die” at the Building of Art and Design

The Building of Art and Architecture has accumulated an absorbing arrangement of clear architecture from the jailbait era, alignment from posters and zines to anthology art and buttons, all acknowledgment to a acceptable accommodation from beneficiary Andrew Krivine.

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Location: The Building of Arts and Design, 2 Columbus CirclePrice: $16 accepted admission; $14 for seniors; $12 for studentsTime: Tuesday, Wednesday, Friday, Saturday, Sunday: 10 a.m.–6 p.m.; Thursday, 10 a.m.–9 p.m.

—Nan Stewert

Installation appearance of “Simone Fattal: Works and Days,” on appearance at MoMA PS1 through September 2, 2019. Address of the artisan and Balice Hertling, Paris; Karma International, Zurich/Los Angeles; kaufmann repetto, Milan/New York; and Galerie Tanit, Munich/Beirut. Photo by Matthew Septimus, address of MoMA PS1.

12. “Simone Fattal: Works and Days” at MoMA PS1

Its the final weeks of the aboriginal US building appearance for Lebanese American artisan Simone Fattal, featuring abstruse and allegorical sculptures—over 200 works fabricated from ceramic, stoneware, terracotta, bronze, and porcelain—as able-bodied as paintings and collages from the accomplished 50 years. Forced to abscond Lebanon at the beginning of civilian war in 1980, Fattal is aggressive by capacity of displacement, and draws on age-old history and allegory in her work.

Location: MoMA PS1, 22-25 Jackson Avenue, Long Island City, QueensPrice: $10 appropriate accepted admission, chargeless for New York Burghal residentsTime: Opening reception, 6 p.m.–8 p.m.; Tuesday–Saturday, 10 a.m.–6 p.m.

—Sarah Cascone

The Dejected Man Accumulation arena their PVC aqueduct instrument. Photo by Lindsey Best.

13. “Blue Man Group: Ready… Go!” at the Building of the Burghal of New York

Founded in 1987, achievement art aggregation the Dejected Man Accumulation has had an advancing assembly at New York’s Astor Place Theater aback 1991, assuming in their signature dejected anatomy acrylic with strange, custom-built instruments. Beforehand this year, the accumulation retired the original, massive three-part percussive allotment fabricated of PVP brim that had been one of the centerpieces of the show, lending it to the Building of the Burghal of New York as allotment of an exhibition on the group’s history and countercultural origins.

Location: The Building of the Burghal of New York, 1220 Fifth Avenue at East 103rd StreetPrice: $20 appropriate accepted admissionTime: 10 a.m.–6 p.m.

—Sarah Cascone

Kyle Breitenbach, Gently Disappear (2019). Address of the artisan and SHRINE.

14. “Kyle Breitenbach: When the Leaves Come Down” at SHRINE

For Kyle Breitenbach’s third alone appearance at SHRINE, the artisan uses actinic processes to not alone visualize, but actualize, the perpetually active accompaniment of our world. Afterwards actuality absolutely hidden by overpainting, compositions fatigued from folklore, science fiction, and aesthetics gradually eat their way aback to afterimage over time, again abide to about-face alike afterwards their re-emergence as “ghostly likeness[es].” The paintings’ shimmering, irised surfaces—another aftereffect of the basal actinic reaction—ensure that, alike in the moment, the works are perceived to be in alteration and absolute of Breitenbach’s influence, apery the absoluteness of both attributes and our always bankrupt attempts to represent it.

Location: SHRINE, 179 East BroadwayPrice: FreeTime: Tuesday–Saturday, 12 p.m.–6 p.m.

—Tim Schneider

James Fuentes, accession appearance of “Berta Fischer,” 2019.

15. “Berta Fischer” at James Fuentes 

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The Birth of Non-Objective Painting – Artsy – non figurative art history – non figurative art facts | non figurative art facts

In Berta Fischer’s alone appearance at James Fuentes, the Berlin-based artisan uses constructed abstracts to comedy with form, light, and color. The blind and wall-mounted sculptures that ample the arcade are at the aforementioned time deceptively failing and visually stunning.

Location: James Fuentes, 55 Delancey Street, #DPrice: FreeTime: Tuesday–Friday, 10 a.m.–6 p.m. through August 23; bankrupt August 24–September 2; Wednesday–Sunday, 10 a.m.–6 p.m. afterwards Labor Day

—Neha Jambhekar

Yoon Chung Han, Eyes (2018). Photo address of the Korean Media Arts Festival.

16. “Korean Media Arts Festival: Technoimagination” at the Sylvia Wald & Po Kim Gallery

The inaugural Korean Media Arts Festival appearance two exhibitions, “Memories in Time and Space,” about the addition of Korea, and “Living Data,” which considers apropos about bogus intelligence, basic security, and abstracts privacy.

Location: The Sylvia Wald & Po Kim Gallery, 417 Lafayette Street, 4th, 5th and 7th attic galleriesPrice: FreeTime: Tuesday–Saturday, 11 a.m.–6 p.m.

—Tanner West

Vera Neumann at Printex, ca. 1950s. Address of the Accumulating Susan Seid.

17. “Vera Paints a Scarf: The Art and Activity of Vera Neumann” at the Building of Art and Design

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Put Vera Neumann in the class of abundant 20th-century women you should accept abstruse about in school. One of the best acknowledged changeable architecture entrepreneurs of the avant-garde era, she congenital a $100 actor business out of her joyful, adroit designs. The exhibition explores the development of her brand, Vera Industries, through added than 200 altar alignment from scarves to clothes to table linens. Looking for a appropriate way to analyze the show? The building is captivation a alternation of appropriate clandestine tours led by bedfellow docents; it begins on August 16 with actor and city New York figure Murray Hill.

Location: The Building of Arts and Design, 2 Columbus CirclePrice: $16 accepted admission; $14 for seniors; $12 for studentsTime: Tuesday, Wednesday, Friday–Sunday, 10 a.m.–6 p.m.; Thursday, 10 a.m.–9 p.m.

—Julia Halperin

Alvin Baltrop, The Piers (sunbathing belvedere with Tava mural) (1975–86). Address of the Alvin Baltrop Trust, © 2010, Third Streaming, New York, and Galerie Buchholz, Berlin/Cologne/New York.

18. “The Activity and Times of Alvin Baltrop” at the Bronx Building of the Arts

For added than a decade in the mid-1970s and ‘80s, Bronx-born columnist Alvin Baltrop bedeviled his lens on Manhattan’s West Side piers—a alone amplitude of accurate and alone automated structures area gay men met to insolate and socialize. “The Activity and Times of Alvin Baltrop,” the aboriginal building appearance committed to the backward artist’s work, brings calm hundreds of those photos, painting a vignette of New York’s active gay ability in the hopeful years afore the AIDS epidemic.

Location: The Bronx Building of the Arts, 1040 Grand Concourse, BronxPrice: FreeTime:  Wednesday–Sunday, 11:00 am–6:00 pm

—Taylor Dafoe

Unknown Indian artist, Punjab Hills, Kingdom of Kangra, Rama, Sita and Lakshmana Begin their Activity in the Forest (ca. 1800–10), detail. Promised allowance of Steven Kossak, the Kronos Collections. Photo address of the Metropolitan Building of Art.

19. “Sita and Rama: The Ramayana in Indian Painting” at the Metropolitan Building of Art

The Met takes a attending at art aggressive by the Ramayana, a South Asian ballsy accounting by Sanskrit artist Valmiki about the 5th aeon BC. Drawing from the building accumulating as able-bodied as promised gifts, the exhibition appearance 30 17th- to 19th-century paintings from aristocratic courts in arctic India, all illustrating the hero Rama’s adventure to accomplishment his wife Sita from the demon Ravana.

Location: The Met Fifth Avenue, 1000 Fifth AvenuePrice: $25 accepted admissionTime: Sunday–Thursday, 10 a.m.–5:30 p.m.; Friday and Saturday, 10 a.m.–9 p.m.

—Sarah Cascone

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