Some artists alive in obscurity afterwards anytime actuality accustomed for their talents: Sister Cathie Meighan is not one of those artists.
Meighan, adviser and accessory coordinator for the art flat at Chestnut Hill College, afresh garnered her aboriginal accolade as a painter back her abstruse assignment won aboriginal award-winning in “Absolutely Abstract,” an art exhibition juried by the Philadelphia Sketch Club, America’s oldest club for able artists. Her painting “Uncharted Waters” was amid 87 added paintings featured in the exhibition, captivated at the club’s capital arcade in city Philadelphia. For her prize, she accustomed a badge and $300.
It wasn’t until an hour afore the show’s accession began that Meighan abstruse she had won aboriginal prize. Afterwards accepting the news, she said she acquainted as admitting she had absolved into a abruptness party.
“My abdomen were afraid like crazy,” Meighan said. “I was absolutely afraid and absolute away. It was commodity I wasn’t expecting, for sure.”
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Even admitting she doesn’t acrylic to win awards, she said the award-winning about validates her decades spent belief and honing her skills. “It affirms what I’ve been alive on for years, as if to say, ‘Yes, this is what I’m declared to be doing,’” said Meighan, whose paintings accept been featured in art exhibitions in Pennsylvania, Virginia and Delaware.
The Philadelphia Sketch Club was founded in 1860. The nonprofit, according to its website, is “dedicated to accouterment a association for beheld artists, acknowledgment of the beheld arts and beheld arts education.” Some of its arresting accomplished associates accommodate Thomas Anshutz, Thomas Eakins and N.C. Wyeth, illustrator of such books as “Treasure Island” and “Robinson Crusoe” and ancestor of Andrew Wyeth, one of the best acclaimed 20th-century American artists. The club aboriginal acceptable women to accompany as associates in 1990.
Meighan spent abutting to a year alive on “Uncharted Waters.” This was an abnormal bulk of time for her to absorb on one painting, but this was a altered and added bookish allotment of artwork. It was one she fought with constantly, abutting it afterwards any assumption account or alike the vaguest angle of its ultimate anatomy and function.
“With abstruse paintings, the access is actual attentive and intuitive,” she said. “It’s about spending time with the assignment and responding to what surfaces and needs to be expressed. So I may put bottomward the acrylic and aloof sit quietly, cat-and-mouse for the benumbed to adviser me in my aesthetic process. Then, back I feel moved, the painting begins from the central out.”
“Uncharted Waters” is allotment of Meighan’s beyond anatomy of abstruse work, “Evolving.” The accumulating of about 50 paintings focuses on her encounters with acrylic and blush forth with the evolutionary action abaft the art. She describes her assignment as predominately non-representational, yet at times, figurative.
“It’s consistently an assurance amid me and the painting, this dance, this benumbed relationship,” Meighan said. “Abstract art invites the eyewitness to appointment and acknowledge to a painting as it curtains into the benumbed and evokes a claimed experience.”
Meighan started painting back she was a apprentice at Chestnut Hill College, area she accelerating in 1987 with a bachelor’s amount in art. Following graduation, bent to apprentice added about the fundamentals of the art form, she took added than 80 credits account of classes at the Pennsylvania Academy of the Fine Arts. In 2012, she becoming her Master of Fine Arts from Johnson State University in affiliation with Vermont Flat Center, the better all-embracing address affairs in the country for all-embracing artists.
In the breach amid her degrees, Meighan formed as an art abecedary for 30 years, 25 of which she spent at Mount Saint Joseph Academy. She alternate to CHC bristles years ago and began alive intermittently in a cardinal of accessory positions at the art studio. In 2017, she was clearly called its accessory coordinator.
Over the years, the bookish access to painting has accepted itself into Meighan’s aesthetics of the art, allegorical both how she paints and how she teaches.
“It’s all about anatomy and contrast,” she said. “If you can accept those two things, you’re activity to be able to actualize admirable paintings.”
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This doesn’t mean, however, that Meighan’s classes are bare of aesthetic exploration. “I consistently acquaint the students, ‘You can breach the rules afterwards you apperceive them,’” she said.
As for her approaching aspirations, Meighan wants to abide developing as an artist. She is now at a point in her activity as a painter area she wants to annex out and breach boundaries and evolve. For her, the artistic process, added so than any prize, has consistently been the greatest reward.
“Art is consistently about experimenting,” she said. “The artistic action is consistently changing, and I can’t do the aforementioned affair over and over again. I charge to acquisition new means to say commodity and blow people.”
This commodity was excerpted, with permission, from the Chestnut Hill College website. Visit CHC.edu for added information.
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