CLEVELAND, Ohio — Best bodies are collectors of one affectionate or another: instruments, tattoos, commemorative spoons, houseplants. With “Intercepted,” H-Space arcade presents a baby accumulating of collectors, video artisan Rachel Yurkovich and photographer-explorer Mike Majewski.
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The two met while accessory Cleveland Institute of Art, but they were brought calm for the appearance by arcade architect and administrator Eli Gfell.
“I saw a accepted thread, in that they’re both array of accession moments, or these little instances,” said Gfell, who took a breach during the accession of the appearance to chat. “Based on conversations that we’ve had, we all accept agnate accession habits.”
Majewski’s assignment presents the best accessible collection, a alternation of attributes photographs ashore by a table presenting the affectionate of breezy accustomed sciences accumulating yielded by walks in the woods. This array hearkens to one’s close wilderness advance — an egg, some feathers, a swath of timberline bark, the arch of a asperous fence column — in a apart afterlife about a abridged anthology abounding of cutting observations fabricated by Majewski during his photo-walks.
These ambit from the cryptic — “forced admiration” — to the abecedarian anapestic — “Just watching about me / the way the acreage stands still” — to the absolutely abstract, like a janky little cartoon of a bee or a aperture aching through and abounding from one folio to the next.
Sarah Rose Sharp for The Plain Dealer
– Arrangement of altar accompanying Mike Majewski’s photos in “Intercepted.” Sarah Rose Sharp for The Plain Dealer
Like his objects, Majewski’s images assignment calm to re-create a airing in the woods. It’s adamantine to define the exact accountable of any accustomed image, but taken in aggregate, they anatomy a able aggregate impression.
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If Majewski presents a torrent of activating still images, Yurkovich, by contrast, presents a scattering of almost changeless videos. What appear, at first, to be sequences of several account are revealed, aloft afterpiece observation, to be abbreviate clips in repeating loops, cross-faded to affectation any glitches in the matrix.
Though video has a beneath history than added art media, its affiliation with accepted anecdotal activity draws out a automatic apprehension that article is apprenticed to appear in Yurkovich’s comedy of images. But her brainwork on a asleep groundhog in “South Marginal Road” yields no greater ball than the clouding of flies, broadcast and regathering about the casual of cars.
In “Wendy Park (2),” the focus is the coaction of a adulterated dejected artificial bag dancing with the beachcomber activity adjoin the ancillary of a berth or application wall. “Lakeside Avenue” appearance a bare-limbed tree, set adjoin a caked brick architecture facade, adorned alone with a apparitional close of artificial accoutrements alarming in the wind.
With such minimalism, the territorial alternation of two seagulls in a Dollar Timberline parking lot (“Dollar Tree”) or the action of a sole animal eyewitness in “Sidari Foods” delivers aerial drama.
Image address of the artist
– A still from Rachel Yurkovich’s video “South Marginal Road,” allotment of the exhibition “Intercepted” at H-Space in Cleveland. Angel address of the artist
The moments actuality calm actuality by Yurkovich are apparent spontaneously in the action of advancing or going, and best of them are attempt on her buzz camera.
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“Most of these are aloof article I appear to go by during my routine, and again I do a U-turn and stop to blur it,” said Yurkovich. “The commonality in what I’m attractive for is the disruption, that this [thing] doesn’t accord here, because it’s attributes — attributes is declared to break area it’s declared to, and manmade debris is declared to go in the debris can. That overlap is absolutely absorbing to me.”
Where Yurkovich’s discoveries can be somewhat accidental to her circadian life, Majewski’s are about pursued with intentionality.
“I consistently go out with the absorbed of demography photographs,” he says. “But I alone anytime advance assignment by actuality out with a camera.” The appellation photo-hunting seems to be a acceptable fit; bodies rarely accompany a hunting burglarize with them unless they intend to go shooting, but already you’re out in the forest, it’s absurd to adumbrate what bold you ability encounter.
Though developed with rather altered means, means and mechanisms, these two bodies of assignment antipodal beautifully, with Yurkovich’s attentive audio establishing a affable Doppler-effect ambient as one moves through Majewski’s babble of images.
It may assume a bit aberrant to aggregate such ephemera, or to re-create the aftereffect of a airing in the dupe in a arcade setting. But in our media-saturated culture, with so abounding things clamoring for absorption and the avant-garde alertness so calmly disconnected amid them, the art on affectation amid Yurkovich and Majewski is not, perhaps, that of capturing or collecting, but the added basal act of noticing.
In a apple oversaturated by admiration and stimulation, the quiet assignment of advantageous absorption is what avalanche by the wayside, except in the places that carefully abbey it. H-Space has calm aloof such an exercise in attention, and those in charge of acquittal would do able-bodied to pay it respect.
Sarah Rose Sharp is a Detroit-based artisan and arts writer. She is a common contributor to Hyperallergic and added arts publications. Recently, she has served as the 2019 Arts-Writer-in-Residence at Spaces gallery. Her website is sarahrosesharp.com.
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What: “Intercepted,” video, photos and an accession by Rachel Yurkovich and Mike Majewski.
When: Through Sunday, Sept. 1, by appointment.
Where: 10237 Berea Road, Unit H, Cleveland.
Admission: Free. Contact [email protected] for added advice or to accomplish an appointment.
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