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NRPLUS MEMBER ARTICLE ‘Q uando, Quando, Quando” was a hit distinct in 1962 or 1963. It agency “when, when, when” in Italian — aback will we allotment a adulation divine, in a year, a day, or an hour? Connie Francis sang it in Italian and English, and it’s delicious. I anticipation of it the added day, aback Vermont’s governor continued our lockdown for addition month. It’s not adulation all-powerful I’m after. It’s “when’s this freakin’ adversity gonna end?”

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Vermont’s had 30 coronavirus deaths in a citizenry of 660,000, in a abode area there’s rarely added than one being per acre. Reserved and laconic, Vermonters invented amusing distancing. That’s why there are so few of us. The boilerplate age of the comatose is 80, and best lived in nursing homes.

And 70,000 Vermonters are now out of work, 22 percent of the state’s workforce. That’s baby fry compared with the 22 actor Americans (the Fed has predicted it may ability 47 million), mostly low- to middle-income workers, now abandoned because government, the press, and smug, data-fudging, TV-loving scientists comatose the best abridgement since, well, the canicule of “Quando, Quando, Quando.”

Aren’t there bigger means to absorb $2.2 trillion? Last time we torched so abundant money was the war in Iraq.

The song fabricated me anticipate about Italy. My mother was Italian, and I accept a big ancestors in the arena of Pesaro e Urbino, due east of Florence on the Adriatic. I’m my father’s WASPy son in every account except for one. I aimlessly apperceive that we bodies consistently abide on the bend of a cliff. That’s Italian.

I wondered why Italy is the hottest of viral hot spots, abreast from Queens, Spain, and China, area the ache started and which lies about aggregate COVID-19. I asked my family.

Most deaths are in Lombardy, the arena in arctic Italy that includes Milan. They’re concentrated in Bergamo and Brescia. I’ll get to my absolute affair — the art of Lombardy — in a minute, by the way. Both are affluent, acutely bartering cities. Both are bolt capitals with abysmal business ties to China. Wuhan is one of the bolt capitals of China. Thanks, Berlusconi. Grasping for means to abstract its baggy economy, he anchored Italy’s business wagon to China’s bang and sickle.

I additionally wondered why no one talks about the art of Lombardy. Leonardo da Vinci (1452–1519) lived in Milan for 23 years, and The Last Supper, from 1498, is there. Caravaggio (1571–1610) was built-in in Milan. His ancestors confused to a boondocks abreast Bergamo to escape the 1576 plague, which dead 100,000 bodies in arctic Italy.

It’s adamantine to alarm Lombardy a backwater. It’s got Milan and a dozen affluent abate cities, amid them Brescia and Bergamo but additionally Pavia, Cremona, Mantua, and Lodi. The arch business of Lombardy, though, is business, not culture, to digest Calvin Coolidge, the antipode to all things Italian. Afterwards 1556, it was disqualified by Spain. Artists with big ambitions followed kings and popes, not viziers.

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Leonardo advantaged empiric ascertainment of nature. This became the base for the Lombard still-life tradition. “Sfumato,” a bleared atmosphere and a bendable focus for faces, comes from Leonardo. I would alarm Leonardo a hypernaturalist, too. His allure with the accustomed apple is bright from his drawings, but in his paintings his abstracts are limber, gestural, and assuredly engaged. Those are his legacies in Milan.

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Did he leave a academy of artists there? One of his students, Bernardino Luini, is believed by abounding advisers to accept corrective the $450 actor Leonardo awash at Christie’s.

Giovanni Antonio Boltraffio was a admirable portraitist. Romanino — he had one name, like Madonna and Fabio — corrective a few versions of The Last Supper, one in a ambit anatomy with a lovely, microscopically abundant table setting. Il Sodoma was a ablaze painter whom Vasari tagged as a animal transgressor, appropriately the name. Gaudenzio Ferrari (1471–1546) is the best baroque of Leonardo’s acolytes. His amount types are Leonardesque, and he’s a stickler for detail and focus. His St. Catherine Miraculously Saved from the Torture of the Wheel, from about 1520, is an archetype of artful anatomy that’s sometimes manic.

Lombard painting generally has this arranged quality. This account is abnormally wild. It’s a bottle hive, with the saint as the anchor. Execution by caster was a long, abhorrent thing. Catherine is placed amid two acicular wheels, with an apache at anniversary ancillary assertive to bullwork her, and they’re in no hurry. She was the catechumen babe of the Roman governor of Alexandria, so she was a Christian prize. She’s a adorableness beeline from Leonardo casting.

Condemned by the emperor, she alone affected the caster and it miraculously shattered. Baffled and furious, he ordered her beheaded, which did the trick, admitting she bled milk, not blood. Anniversary date of the ball is depicted in one painting. Catherine was canonized and broadly admired until the 1960s, aback her adventure was accounted fictional. Gaudenzio is a showman, and he delivers a Cecil B. de Mille–type ball set at night, badly acrobatic and gestural, with portrait-like faces.

I would alarm the Lombard artful eccentric. Artists weren’t cloistral from trends in Rome, Venice, or Florence, but they weren’t clobbered by them. Some acceptable chargeless cerebration happened. Giuseppe Arcimboldo (1527–1593) was from Milan, but he’s best accepted for his assignment in Prague and Vienna for three Holy Roman Emperors, accurately his emblematic portraits. They’re unique.

Four Seasons in One Head, from 1590, uses the flowers, fruits, and vegetables of the seasons as architecture blocks for an abstract portrait. It’s the acme of anthropomorphism. Arcimboldo corrective it at the end of his ambulant life, aback he was aback in Milan, abiding to his roots, and baffling roots, comatose in winter, accomplish the head’s face, and a bent old face at that. Grapes and apples represent autumn, aureate and cherries summer, and flowers spring.

Arcimboldo’s portraits of kings attending like vegetable platters. They were meant to amuse, and they’re abounding with puns, but they’re serious, too. His aristocratic patrons, he was blessed to emphasize, disqualified over all creation, humanity, acreage and water, and don’t balloon the crudités.

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The Librarian, from 1566, is composed of books, layers or books with layers of meaning. It’s possibly a account of Maximilian II’s centralized curator, or it could be a fantasy portrait. I attending at it beneath as a account and added as a geometric study. It ability be a apology of affluent bodies who aggregate books but never apprehend them.

Arcimboldo’s assignment attenuated into obscurity. Still activity is rungs lower than history or fabulous painting, and Arcimboldo’s still lifes are weird, in any age. The surrealists rediscovered him in the 1920s, admitting The Librarian is added like cubism’s Model T.

Lorenzo Lotto (1480–1556) was addition eccentric, built-in in Venice but animate in Bergamo from 1513 to 1525. He’s addition offbeat, ablaze painter. He’s Venetian, so he was a adept of adorable color, but in Venice his career never got traction. He wandered, so he’s not associated with one school. He formed mostly in Bergamo, Treviso, and in the Marche.

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His awe-inspiring Martinengo altarpiece in Bergamo, from 1516, is his better painting. It’s a “sacra conversazione,” like a angelic cocktail party, and that explains the accidental poses, but anybody is too chatty, packed, and mannered. That’s the criticism art historians dumped on Lotto.

He was rediscovered a few years ago and is best accepted as a portraitist. His account capacity quiz us, alike taunt us. Andrea Odoni, a Venetian agent and collector, afraid Lotto’s 1527 account of himself in his bedroom. He’s a hunk, possibly self-absorbed, amidst by marble hunks but bribery a crucifix chaplet in one duke and a baby carve of the Admirable Diana — a Roman abundance goddess blazon acclaimed by multiple, cherry-sized breasts, or are they balderdash testicles, as I already read? He’s thinking, “allora, quale vuoi — cativo o bello?” Which will it be, annoying or nice?

Lotto corrective the account afterwards years in Bergamo. Odoni, big as Pavarotti, stars but the picture’s a beautifully staged, close still life, too. Lotto’s focus on interiors — and landscapes, too — became a affection of abounding of his portraits.

Caravaggio is the 800-pound apache in Lombard painting. Older artists aggressive his “dark manner,” pools of aphotic abruptly abutting adjoin lights, use of accustomed types as models, and abysmal focus on objects, faces, and hands. Conservatives begin his assignment indecorous, both animal and undignified. Lombardy’s still-life attitude and its aftertaste for hypernaturalism, photo-realism’s ancestor, provided Caravaggio with an artful foundation.

His “chiaroscuro,” able contrasts of aphotic and light, repackages the nocturnes of Correggio, from Parma, and Bassano, from Bassano del Grappa, both on the Lombard border. Caravaggio intensifies the aftereffect of the nocturne, which was again adolescent and attenuate in painting, and he makes it added theatrical.

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Supper at Emmaus, from 1601, is Caravaggio’s Lombard amalgam. It’s the alpha of his complete style. It’s a still life, or a still-life composite, with the table setting, clothing, and accepted faces. Alike the ablaze is a still life, conveyed with carefulness and with relief-giving contrasts. Jesus is beardless, not absolutely new in religious art but still scandalous. His face has contours like the fruit, bread, and adapted chicken. It’s a action picture, too, far simpler than Leonardo’s, Romanino’s, or Lotto’s but the ample and angled accoutrements assume to apply the aforementioned energy.

The Lombard Caravaggisti concoct abracadabra from skeins of reality. Evaristo Baschenis (1617–1677) formed in Bergamo, mostly in still life. He’s an abrupt great. Still activity seems to accept a appropriate abode amid Lombard painters. Caravaggio, afterwards all, began his career painting still lifes in Milan. Baschenis’s are mostly agreeable instruments — Cremona, home of Strativeri and the best violins, is in Lombardy. They’re actual admirable and mysterious, alike haunting. His appearance is ultra-finished and so focused on detail that the instruments feel alive.

His faculty of angle is, and here’s a pun, pitch-perfect. His lutes and violins, arced and irregular, anxiously lay in space. Baschenis was a priest. He does admiration well. He doesn’t do whimsy and riddles like Arcimboldo, but both are apprenticed by shapes. I anticipate that’s why they were the absent souls in art history until Modernism.

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A bit alfresco Lombardy, in Varallo in Piedmont, lived the wonderful, additionally appropriate Tanzio da Varallo (1575–1632). He’s an acquired taste. Like Caravaggio, he uses abysmal darks and audacious lights in juxtaposition. This makes for ball and angst. He finds his models on the street, painting them in a hyperrealistic style. Caravaggio did both, but if Caravaggio’s aftereffect is solemn, Tanzio’s is overwrought, alike lurid.

In St. Sebastian Tended by the Widow Irene and an Angel, the saint’s acrobatic position is porn-star worthy. That’s allotment of its blur noir feel. It doesn’t accept the genre’s abnegation and doesn’t feel seamy. What Tanzio gives us is expressionist lighting, abysmal focus, a disorienting composition, acid, irised color, and basic and anatomy pushed toward, but not to, an extreme.

It’s not a bad action accustomed the scene. Pulling arrows from a alive anatomy makes for astriction and anxiety. Sebastian’s in rapture — or is he moaning, “buon per me, mi ha fatto in macho boia,” or, “lucky for me, I got the apache who couldn’t shoot straight”?

There’s the Italian art assignment for today. Apologies to Giulio Romano, from Mantua, Giovanni Battista Moroni, from Brescia, and the Campis from Cremona. I can’t awning everyone. I’m on Chinese-virus assignment a lot these canicule and will address anon about the $200 actor that Congress allotted to the arts in the CARES Act. I’m additionally planning belief on the art of plagues, argent at the Victoria & Albert, and the Hispanic Society’s treasures appearance in Houston.

One day, soon, I hope, museums will reopen. Maybe they’ll ascertain they absolutely don’t charge as abundant agents and ability try absorption on their amount mission.

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