VS Gaitonde: The Bashful Observer, a retrospective
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If you’ve anytime looked at a painting by India’s acknowledged artisan and wondered what you were attractive at, here’s your adventitious to acquisition out. A new exhibition, VS Gaitonde: The Bashful Observer, brings calm assignment spanning the artist’s absolute career, from allegorical to ‘non-objective’ artist. (Gaitonde didn’t like his assignment actuality alleged abstract.)
“The sea was a antecedent of afflatus for Gaitonde, which apparently explains the acutely immersive acquaintance of his signature works,” says Kamini Sawhney, babysitter of the Jehangir Nicholson Art Foundation, which is organising the appearance at the Chhatrapati Shivaji Maharaj building (CSMVS). “Back in the ’60s, he acclimated to sit on a bank alfresco the Bhulabhai Desai Institute, area his flat was, and beam at the sea for hours,” she says.
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The exhibition will abide of works fatigued primarily from two collections — 14 from the Jehangir Nicholson accumulating activity aback to the 1950s; and 5 from the Tata Institute of Fundamental Research, originally acquired by the founding director, Homi Bhabha.
There are additionally works from the accumulating of Pundole Art Gallery, which aggregate a accord with the artisan from his ancient canicule as a painter that connected until his afterlife in 2001; as able-bodied as from the clandestine Darashaw Collection, and the Glenbarra Art Building in Japan.
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The appearance offers admirers a attenuate adventitious to see some of Gaitonde’s aboriginal allegorical work. Incidentally, Gaitonde alternate to the immersive anatomy some time in the mid ’80s, back an autorickshaw blow damaged his back and rendered him butterfingers of alive on ample canvases. “That’s back he started his alternation of ink assets on paper,” says Sawhney. “They are abstruse arrangement that arise to be autography or a anatomy of calligraphy.” They are undecipherable.
Gaitonde was allotment of the Progressive Artists’ Group formed in the burghal in 1948 (other associates included FN Souza and Tyeb Mehta). An untitled assignment fetched ₹29.3 crore at a Christie’s bargain in Mumbai four years ago, and still holds the almanac for the accomplished amount fetched by an Indian artist. Yet there has not been a above attendant of his assignment in Mumbai back his death.
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“It’s blue-blooded The Bashful Eyewitness because the abstraction of blackout was so important to Gaitonde’s process,” says Sawhney. “So while you attending at his assignment and asperse yourself in its silence, booty a moment to appraise – is Gaitonde the bashful eyewitness of life, or is it you, silently communicating with his art.”
Aug 02, 2019 19:47 IST
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