Safia Farhat’s carpeting Amités, now allotment of the Barjeel Art Foundation Accumulating Courtesy of the Barjeel Art Foundation
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An exhibition of Modern Arab art aperture at the Sharjah Art Building in November will focus on accomplishing gender adequation amid the artists on show. Sultan Sooud Al Qassemi, an Emirati beneficiary and professor, is organising the exhibition, forth with the curators Suheyla Takesh and Salwa Mikdadi, application works from his Barjeel Art Foundation accumulating of Middle Eastern art. “This is an experiment, not an art actual hanging,” Al Qassemi tells The Art Newspaper. “I am not adage that these women afflicted art history in the 1950s and 60s—a lot of them were unknown—but to say that they never did assignment is additionally unfair.”
Al Qassemi argues that changeable artists, and not aloof those from the Middle East, accept been too-long abandoned in art history: “The affair has been gnawing at me back 2017, back I took a accumulation of my acceptance about the exhibition Modern Art from the Middle East,” which was fabricated up of works from Barjeel Art Foundation. “I apologised to them that alone bristles or six of the 19 works were by women and they said to me that that was added than absolute cardinal of works by changeable artists in the accomplished museum.” He again abstruse that, overall, works by women alone absolute about 13% in US museums. Back then, Al Qassemi has been rapidly accession art by changeable artists.
When Al Qassemi realised that bisected of the accepted affectation of Barjeel Art Foundation works would accept to be afflicted (its appearance A Century in Flux: Highlights from the Barjeel Art Foundation opened in May aftermost year and will abide until 30 May 2023) due to an accessible travelling exhibition in the US, he took the befalling to plan a appearance that tackled the affair of gender. Rather than alone appearance works by women, he absitively to present them alongside their macho aeon in as abutting to a 50-50 breach as possible. “The bodies charge to be accommodating to see aggregate on a par,” he says.
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Collecting art by changeable Modern artists in the Middle East has been a challenge, according to Al Qassemi. A absence of scholarship in the acreage has led to beneath accepted analysis methods. “I’ve begin best of the latest acquisitions through amusing media,” says Al Qassemi. He begin the assignment of the Iraqi artisan Naziha Salim, the sister of the acclaimed painter Jewad Selim, on Instagram and purchased a painting for his collection. Having heard of the Egyptian artisan Menhat Helmy, he acquaint on Twitter allurement for added advice and concluded up in blow with her grandson, who is now documenting her ahead clear anatomy of assignment in Cairo. “Her assignment is mind-blowing: she did portraits, she fabricated abstruse work, she did political work—previously there were alone three curve about her on the Internet,” Al Qassemi says. Her paintings Space Exploration/Universe (1973) and Outpatient Clinic (1958) are now in the Barjeel collection.
The upside to accession in a acreage that is almost undocumented is that the prices are abundant lower. The bazaar for Modern Arab art has developed rapidly in contempo years as museums in the arena accept sprung up; shows about Middle Eastern art accept proliferated, and the availability of high-quality pieces has declined. “For the amount of one assignment by Dia Azzawi, for example, I can buy bristles or six works by changeable Arab artists,” Al Qassemi says. “It’s arresting because I am adjoin this faculty of amount but it is additionally enabling me, too.”
Once the works by women access the Barjeel Art Foundation collection, biographies for the artists are added to the foundation’s website. In the aftermost few months the accumulating has added works by Bibi Zogbé, Mariam Abdel-Aleem, Asma Fayoumi, Juliana Seraphim and Safia Farhat, amid others.
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To anticipate the works actuality alone acclaimed by the gender of their makers, Al Qassemi has absitively to affectation the labels at a ambit from the art. “We did the aforementioned affair with our appearance at the Tehran Building of Contemporary Art in 2016, back we showed 40 works from their accumulating and 40 from ours,“ he says. “The visitors asked: Is this by an Iranian? Is this an Arab? In the end, the abstraction is that the aspect is the same—both allocution about things we accept in common, from abuse and colonialism to adoration and calligraphy. That’s why that exhibition was so important.”
The abstraction of administration a gender allocation on an exhibition came beneath blaze back Al Qassemi aboriginal appear it on his amusing media accounts in July. “Art should be called based on the activity it gives you / letters included / how it fits into the affair of the exhibition,” said one Facebook user while addition added that the plan would “sacrifice a bureaucracy of adequacy for the account of ‘equality’”.
But others accept accurate Al Qassemi’s vision: “I am blessed to accede that gender ‘should be’ irrelevant. But absolutely it is not; not yet, in 2019, indeed,” said Omar Berrada, a New York-based biographer and babysitter who is the administrator of the Marrakech artists’ address programme Dar al-Ma’mun. “To the admeasurement that the rules of this bold accept been and still are set by men, abstruse notions of ‘meritology’ or ‘quality’ are meaningless. I’d say the point actuality is not to appearance ‘the best’ according to whatever the accustomed canons of aftertaste dictate, but conceivably to acquiesce your action to adduce accessible accouterment in our skewed acumen of the history of Modern Arab art.”
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Al Qassemi says he believes in acknowledging action: “The apple has been so grossly arbitrary to women, and I accept in the allocation arrangement to accomplish abiding women are in classrooms, on boards of organisations—and in museums.”
• The Barjeel Art Foundation’s travelling exhibition Taking Shape: Abstraction from the Arab World, 1950s-1980s will booty abode over two years starting in January: Grey Art Gallery at New York University (14 January 2020-4 April 2020); Mary and Leigh Block Building of Art at Northwestern University (28 April 2020–26 July 2020); Johnson Building at Cornell University (22 August 2020–13 December 2020); McMullen Building of Art at Boston College (25 January 2021–6 June 2021); and University of Michigan Building of Art (25 June 2021–19 September 2021).
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