A new art exhibition explores the past, present and approaching of queerness. “About Face: Stonewall, Revolt and New Anomalous Art” runs through Saturday, Aug. 10 at Wrightwood 659, 659 W. Wrightwood Ave. On June 28, the arcade hosted “Voices from the Community,” a console in which bristles bounded artists, curators and LGBTQ advocates discussed capacity aural the exhibition.
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Located in Lincoln Park, Wrightwood 659 was advised by Tadao Ando, a Pritzker Prize-winning architect. According to its website, the arcade is advised “as a armpit for attentive adventures of art and architecture, and as a abode to appoint with the acute amusing issues of our time.” The About Face exhibition was curated by Jonathan D. Katz, PhD, a Visiting Professor of Gender, Female and Women’s Studies at The University of Pennsylvania and armchair of the doctoral affairs in Beheld Studies at the University at Buffalo. Wrightwood 659 exhibitions administrator Lauren Leving chastened the panel.
“About Face” is organized into bristles sectionsTransgress, Transfigure, Transpose, Transform and Transcendand appearance about 500 portrait-based works of 43 artists, from anomalous icons Keith Haring and Harvey Milk to backward Chicago surrealist Roger Brown to accepted multidisciplinary artists like Tianzhuo Chen and Sharon Hayes. In a affairs note, Katz calls the exhibition “diverse” and “a state-of-the-field analysis of anomalous art today.”
Several panelists disagreed with this assessment.
“I didn’t see myself back I absolved through,” said LaSaia Wade, controlling administrator of Brave Amplitude Alliance and the aboriginal auto woman in Illinois history to be accustomed in Women’s History Month. “Normally, I accept to aces what intersections I authority [Wade is an Afro-Puerto Rican Indigenous auto woman], but I didn’t see myself as a Black anomalous auto being aural this art.” A notable exception, said Wade, was a video accession featuring Black anomalous individuals dancing. “I spent a acceptable 10 account watching it,” she said.
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Canadian artisan and accepted Whitney Biennial actor Brendan Fernandes agreed. “I’m a dancer, so the aboriginal affair I do [in an exhibit] is airing through the space,” he said. “Walking through the amplitude I was asking, area do I fit in?” Jessie Mott, a Chicago-based beheld artisan and amusing worker, agreed that the exhibition acquainted “a little bit whitewashed. We can’t accept a anomalous appearance after acknowledging auto bodies of color. Area are those voices?
“I anticipate it is a admirable appearance that asks a lot of important questions,” Mott said. “But I anticipate there are so abounding more.”
It wasn’t aloof the abridgement of diversity, added Sarita Hernandez, arts drillmaster and co-founder of Marimacha Monarca Press, a South Side “creative familia” for anomalous and auto bodies of color. “The [exhibition’s] anecdotal was missing something,” she said. “When the ambience is affected in Stonewall, we are talking about badge violence. I was acquisitive to appoint in added of a altercation about it. LGBTQ bodies of blush acquaintance so abundant badge violence.”
Lisa Stone countered, speaking absolutely about the exhibition. “One of the things that addled me [about the exhibition] was the self-deliberation and self-identity,” said Stone, babysitter of the Roger Brown Study Collection and chief academician in the Department of Art History, Theory and Criticism, both at the School of the Art Institute of Chicago. “I feel like most, if not all, of the portraits appearance an absurd sincerity. Some kinds of delineation can be added attitudinal, but these were about the self.”
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The altercation confused on to the analogue of “queer” and how it is authentic in About Face.
“Older bodies see the chat ‘queer’ as article abhorrent and shameful. For adolescent people, ‘queer’ is all they appetite to use,” Mott observed.
“Growing up as a Black being in a Black household, that chat was weaponized adjoin me,” said Wade. “Seeing a new bearing accompany positivity to the word, brings ablaze to the approaching of language.”
“I am a lover of the ever-changing language,” Hernandez agreed. “I additionally anticipate it’s arresting back the apple anomalous is acclimated as a absolute term. Aberration is such a attrition to abandon so I get balked back bodies bandy it about after compassionate the attempt abaft the word.”
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“We all accept altered definitions of queer. I anticipate it’s beautiful,” Fernandes said. “[But] article about the way it’s acclimated in the exhibition makes it static. [In the exhibition] aberration is heavily affiliated to gender and sexuality, and I anticipate we charge to get abroad from that.”
Panelists agreed that admitting About Face appropriately celebrates queerness, the attempt is still real.
“We appetite to celebrate, but we charge to bethink that the assignment still continues,” Fernandes said. “I anticipate this console is accomplishing that: we’re aggravating to acquisition new strategies and new possibilities.”
“For me, anybody connects anomalous and gay and lesbian to happy,” Wade said. “It’s not. It’s struggle. I’m still at Stonewall.”
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She added in closing, “And Pride don’t stop on [June 30]. Period.”
For tickets and added information, appointment Wrightwood659.org .
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